Death and the Maiden is vibrantly full of life...

Death and the Maiden by Ariel Dorfman is presented at Centaur's smaller space until Dec. 6th. directed by former AD Gorden McCall with: Neil Napier* (Gerardo Escobar), Tania Kontoyanni* (Pauline Salas), and Wayne Burnett (Roberto Miranda). * In photo; Credit Yanick Macdonald.

Originally written to draw attention to the atrocities that occurred during Chile's Pinochet regime, it is still all too relevant today as we watch CNN and our local news programs learning about the despicable acts of torture and violence and oppression practiced on every day citizens on every continent of our globe. It is a contemporary play that resonates all to well even today.

An amazing set design making the space almost unrecognizable is designed by Russell Jones; It is both impressive and highly functional adding a lot of quality to the production. The lighting, when lit, is equally functional with the set and stunning as well. However, not sure who to blame here, director or designer Spike Lyne, there are too many and too lengthy black outs. Spoiler alert: The scene with Pauline capturing Roberto is way too long and too dark, audience members seated half way and up in the space or seated far to the right miss some important detailed moments, and anyone getting a little dozzy will definately nod off here, as some near me did, the scene is too drawn out, especially when considering the dim lighting. ... The performances by all three actors, who are all very well cast in their respective roles, were also very well performed with particular mention going to Tania Kontayanni who is captivating, commanding the stage throughout the play either on or off the focus.

Many may have read this one before, or seen another production, or at least be familiar with the film; This production is well worth a revisit to the play or for the first time. GO C IT!