Life Is A Dream is 'dreamy' very entertaining!

My first concern walking into the performance space was that there were sand piles on the stage. Flash back to last weeks "Scorched" sand strewn set (see review below). Quickly I realize that the pyramid shaped 'sands of time' are representative of the characters' lives who we were about to meet in this classic translation (Edwin Honig) of the 17th century "La vida es sueno" by Pedro Calderon de la Barca.

Do not be warded off by words like: '17th century period' or 'a translation' from the Spanish version. This is a high-energy production with an easy to follow plot and an equally easy to listen to text that will invite you to invest in the characters' and keep your full attention in this fable with a message that transcends the test of time. Surprisingly quick delivery of a rich clever text filled to the brim with humorous wise cracks and subtle messages that are delivered from all of the characters, hold the audience attentive and wide eyed throughout.

Segismundo, is released and descends from his prison tower, where he has been since birth, is the focus of this comedic drama 'à la comedy of errors'. In his tower he could only imagine what life out side was really like. Once freed will he seek out revenge for his fate or effect positive change on the world below. Through his experiences, or dreams, he learns that insurrection has passed and there is no longer any time or space for traitors and rebels. There is little wisdom in revenge or further provocation or cruelty. Only forgiveness, the real expression of Segismundo’s power, and the restoration of a belief in human goodness will bring about the possibility of permanent happiness and freedom. Segismundo concedes that life, although shaped and driven by dreams, may be more than just the fiction and illusion he once conceived it to be. In a world of madness, the voice of reason is to point out that without dreams and ambition there can be no real change.

The performances of all the cast are well performed; Particularly Andreas Apergis, Peter Batakliev, and Zachery Fraser are awesome in their roles: Segismundo, Clotaldo, and Clarion respectively. The fluid pacing, immaculate use of space and blocking are a refection of Alison Darcey's master direction and understanding of the material and command over the production. The costumes are superb and add to the overall stage design; I appreciated the 'bare feet', instead of potential use of heavy (noisy) boots, which allows the actors to have more freedom of movement which they take full advantage of throughout. The live band adds to the authenticity of the era reminding us of the what the original production might have been like; As does the design and use of the sparse set and decor. However, I really could have done without the 'sand' and the make shift water trough / river in act 3. Lighting could have been 'brighter' particularly in act 1; the timing on some of the fade ins increased on Segismundo both upper and lower stage, and better use of light to create more ambiance and special effects.

Playing at Centaur only until November 1st. Catch it while you can. This is a real treat... not a trick!